Credits graphic design

INVINCIBLE SUMMER
(UN INVINCIBLE ÉTÉ)

Opening credits (slates / movie)

Closing credits (rolling / movie)

DIRECTOR : Arnaud DUFEYS
CINEMATOGRAPHY : Pépin STRUYE
COLOR GRADING : Laura PERERA SAN MARTIN
PRODUCTION : Makintosh Films & Luna Blue Film
SPECS : Short – 18 min – Color – 1,33:1
SHOT ON : S16 Film
SELECTIONS : Berlinale 2024, Section “Generation 14plus”
PRICES : Arte Price at BSFF 2024

One hot summer evening. Alone at home, by the pool and bored to death, Clément (16) swipes through guys’ profiles on a dating app. Determined to lose his virginity, he lies about his age, finds Naël (24), and arranges a date with him. The time draws near, and Clément rushes things. But it’s through the discovery of a body completely different from Naël’s that Clément will grow up.

THE SOUNDS OF EARTH
(LES SONS DE LA TERRE)

Opening credits (slates / movie)

Closing credits (slates / pictures)

DIRECTOR : Gaëtan D’AGOSTINO
CINEMATOGRAPHY : Tom GINEYTS
COLOR GRADING : Laura PERERA SAN MARTIN
PRODUCTION : GALEAS Production
WITH : Laurent CAPELLUTO, Jessica GAZON, Marcel GONZALEZ, Laura LIBERATORE, Thomas COUMANS, Apolline SIMON
SPECS : Fiction – 16 min – Color – 2,39:1
SHOT ON : Sony FX6 + Zoom Angénieux 28-70 mm
PRICES & SELECTIONS : National Competition – Brussels Short Film Festival 2023

Forty years ago, the Voyager probes were sent to space with The Sounds of the Earth, a golden disc containing welcome messages in 55 languages for aliens. While he still drifts tirelessly into space today, Noël spend Christmas Eve in his family of Italian immigrants, where reflections of ordinary racism flow more than ever around the table…

A BUMP IN THE HEART
(UNE BOSSE DANS LE CŒUR)

Opening credits (slates / black)

Closing credits (rolling /drawings)

DIRECTOR : Noé REUTENAUER
CINEMATOGRAPHY : Caroline GUIMBAL
PRODUCTION : Hélicotronc & Les Films de la pépinière
SPECS : Documentary – 62 min – Color – 1,77:1

My friend Kirill is seeking love from Angela, Coralie, Simone, Ornella… However, his trisomy (Down’s syndrome) makes his quest very special.
How to find love with a « bump in the heart » ?

DANS LA CHAMBRE (HOME MOVIES)

Opening credits (slates / black)

Closing credits (rolling / black)

DIRECTOR : Yves CANTRAINE
CINEMATOGRAPHY: Yves CANTRAINE & Roger CANTRAINE
COLOR GRADING : Laura PERERA SAN MARTIN
PRODUCTION : HELICOTRONC & L’Atelier de Production du GSARA
SPECS : Experimental Documentary – 42 min – Color – 1,85:1
SHOT ON : 16 mm film + DSLR

Immersing himself solely in family and personal archives, films of parties and travels, the confined director takes his impetus, questions the images, frees the sound memory, and travels through time and space. The return to the past thereby becomes a dance and a poetic drift. As Emily Dickinson, the film’s tutelary figure, wrote: “I dwell in Possibility / A fairer House than Prose“.

A VILLAGE IN TURMOIL
(UN VILLAGE EN ÉMOI)

Opening credits (slates / black)

Closing credits (slates / black)

DIRECTOR : Sébastien PEREE
CINEMATOGRAPHY : Tom GINEYTS
COLOR GRADING : Laura PERERA SAN MARTIN
PRODUCTION : Les Films de Mireille
SPECS : Documentary/Fiction – 36 min – Color – 1,85:1
SHOT ON : Sony FX6 + Zoom Angénieux 28-70 + Canon FD Chrome Set

One night, in a village, a disturbing white tower appears in the distance. From their bedrooms, 5 children talk about their fears. Gradually, as they talk, an atmosphere of anxiety is revealed in the village, foreshadowing the coming of the dreaded disaster. Now alone with their fears, they have no choice but to face them by going in search of this mysterious white tower.

ENTRE-TEMPS, LE SILENCE DES LUCIOLES

Opening credits (slates / black)

Closing credits (rolling / black)

DIRECTORS : Federico D’AMBROSIO & Géraldine BRAUSCH
CINEMATOGRAPHY : Federico D’AMBROSIO
COLOR GRADING : Laura PERERA SAN MARTIN
PRODUCTION : D’une certaine gaieté, Arsenic2 & Atelier Graphoui
SPECS : Documentary – 68 min – Color – 1,77:1
SHOT ON : digital camera
LINKS : https://entre-temps.org/

They are between 10 and 20 years old. They come from different places and backgrounds, and don’t know each other. And yet, in 2020, they have all experienced the same “crisis”, that of “covid-19”, that of the suspension of time and landmarks, that of the shrinking of space, relationships and the world.

Filmed on location in schools and youth centers, 7 groups reflect, with their teacher or youth worker, on what is happening to them.

It’s a dialogue that weaves between them, a dialogue about their shattered lives and the strangeness of the present, but also, very quickly, about society as a whole. Social inequalities, political and police management, the media and information, citizenship, the relationship with oneself and others and, ultimately, the future are at the heart of their reflections. They invite us, in an almost imperative way, to question the world we propose to them and the way we accompany them in it.